It’s always exciting when a director returns to Midnight Madness with his new film. Takashi Miike’s premiered so many of his films in the program since Fudoh in ’97 that I’ve lost count, Christopher Smith returned in ’06 with Severance after Creep played just two years before, Dario Argento returned last year for a fourth time with Mother of Tears, and the list of returned directors goes on and on including Shinya Tsukamoto, Johnnie To, Peter Jackson, Tsui Hark, Wilson Yip, and Scott Reynolds.
This year’s...
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